Museum without Walls

Snapshot of the reconstruction of the National Museum (© Patrimônio Virtual / Prodec Engenharia).

The process of “virtual reparation.”

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Photogrammetry mapping of Roman amphorae in the Mediterranean Culture room. Photos were obtained using a drone because the floor of the room was covered by pieces of collection items, making it impossible to reach these items.

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Dossiers, Magazines, and Reports

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.