Digital animation of the skeleton of the bird Rhea americana, based on kinematic study.
Some other Espírito Santo Art Museum.
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
David Hall, A Situation Envisaged: The Rite II (Cultural Eclipse), 1988-90. VR experience presented at the NEoN Festival, Dundee, 2017. Development by Rhoda Ellis, curating by Adam Lockhart (© Adam Lockhart).
Demonstration against evictions and demolitions at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).
What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?
Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality
DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).
DiMoDA 3.0 - 3LD, New York, June 2018. Work on display by Shane Mecklenburger.
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
Macrophallic amulter recovered from the fire at the National Museum (© LAPID).
Map of the Third World's south-southeast island, 2011.