Digitization of the fossilized skeleton of Mariliasuchus amarali with the Artec MHT.
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality
Assembling displays for the Introduction to the Third World installation at CCBB-RJ, 2011.
Snapshot of the reconstruction of the National Museum (© Patrimônio Virtual / Prodec Engenharia).
Digitization with the RV Scanner for a PhD thesis at LAPID.
DiMoDA 3.0, 2018. SIGGRAPH Asia partnership.
Phi Books presentation at the University of Copenhagen.
Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.
What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?
Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.
