Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
Snapshot of the reconstruction of the National Museum (© Patrimônio Virtual / Prodec Engenharia).
The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.
Envensão nova urso con cachorro (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
The process of “virtual reparation.”
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
© The Kremer Museum
Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.
DiMoDA 1.0 poster for Superchief gallery, 2016.
Vila Autódromo community association before being demolished (© Luiz Claudio Silva / Museum of Removals collection).