Demolition of houses at Vila Autódromo by the city government (© Luiz Claudio Silva / Museum of Removals collection).
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
Phi Books presentation at the University of Copenhagen.
David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.
Map of the Third World's south-southeast island, 2011.
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
"Universe" plate - Introdução ao Terceiro Mundo, 2011.
Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".
O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality