O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.
What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?
David Hall, TV Interruptions: The Installation, 1971. Video documentation of VR experience presented at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).
Houseplans, Phi Books (© Antonopoulou & Dare).
Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality
Digitization of the fossilized skeleton of Mariliasuchus amarali with the Artec MHT.