Museum without Walls

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Assembling displays for the Introduction to the Third World installation at CCBB-RJ, 2011.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

DiMoDA 3.0, 2018. SIGGRAPH Asia partnership.

Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.

untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality

Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality

Digitization of the fossilized skeleton of Mariliasuchus amarali with the Artec MHT.

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.

Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.