"Oracles" plate - Introdução ao Terceiro Mundo, 2011.
Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
House demolition at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).
David Hall, TV Interruptions: The Installation, 1971. Comparison of real installation (Installed at Museum of Modern Art - MUMOK, Vienna, 2010) and VR simulation. Model by Sang Hun Yu (© University of Dundee/Estate of David Hall).
Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".