Map of the exhibition route across the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).
Weekly meeting of the contidonãocontido project, with the curators-educators.
Dossiers, Magazines, and Reports
The process of “virtual reparation.”
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.
David Hall, TV Interruptions: The Installation, 1971. Screenshot from Unity showing sound design. Programming Sang Hun Yu (© University of Dundee).
