Museum without Walls

Envensão nova urso con cachorro (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

David Hall, TV Interruptions: The Installation, 1971. Screenshot from Unity showing sound design. Programming Sang Hun Yu (© University of Dundee).

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

House demolition at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).

untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality

Aerial view of Vila Autódromo before demolitions (© Luiz Claudio Silva / Museum of Removals collection).

The process of “virtual reparation.”

Photogrammetry mapping of Roman amphorae in the Mediterranean Culture room. Photos were obtained using a drone because the floor of the room was covered by pieces of collection items, making it impossible to reach these items.

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Museum of Removals collection).