Museum without Walls

Aerial view of Vila Autódromo before demolitions (© Luiz Claudio Silva / Museum of Removals collection).

Riverine Archive, VR screen capture (© Antonopoulou & Dare).

David Hall, A Situation Envisaged: The Rite II (Cultural Eclipse), 1988-90. Video documentation of VR experience presented at the NEoN Festival, Dundee, 2017. Development by Rhoda Ellis, curating by Adam Lockhart (© Rhoda Ellis).

Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Weekly meeting of the contidonãocontido project, with the curators-educators.

The processes that culminated in the independence of the former European colonies affected disciplines that, directly or indirectly, legitimized colonial power. The New Museology movement provoked actions that brought the museum closer to the community, making it possible to include groups related to the safeguarded collections within the institutions.

Since the community was being used as a construction site for the Olympic Park - one of the strategies used to pressure residents and compel families to accept the proposal of the City of Rio de Janeiro -, the sculpture “Suporte dos Males” and part of the sculpture “Espaço Ocupa e Casa da Dona Conceição” were destroyed by tractors.

Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality