Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
Assembling displays for the Introduction to the Third World installation at CCBB-RJ, 2011.
Phi Books (© Antonopoulou & Dare).
Aerial view of Vila Autódromo before demolitions (© Luiz Claudio Silva / Museum of Removals collection).
© The Kremer Museum
Dossiers, Magazines, and Reports
untitled (Levino Fanzeres, oil on agglomerate, undated) - access in augmented reality
The process of “virtual reparation.”
untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality