Museum without Walls

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Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Riverine Archive, VR screen capture (© Antonopoulou & Dare).

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

untitled (Levino Fanzeres, oil on agglomerate, undated) - access in augmented reality

Snapshot of the reconstruction of the National Museum (© Patrimônio Virtual / Prodec Engenharia).

Phi Books (© Antonopoulou & Dare).

David Hall, A Situation Envisaged: The Rite II (Cultural Eclipse), 1988-90. Video documentation of VR experience presented at the NEoN Festival, Dundee, 2017. Development by Rhoda Ellis, curating by Adam Lockhart (© Rhoda Ellis).

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.

Weekly meeting of the contidonãocontido project, with the curators-educators.