Museum without Walls

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Since the community was being used as a construction site for the Olympic Park - one of the strategies used to pressure residents and compel families to accept the proposal of the City of Rio de Janeiro -, the sculpture “Suporte dos Males” and part of the sculpture “Espaço Ocupa e Casa da Dona Conceição” were destroyed by tractors.

Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.

Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality

The process of “virtual reparation.”

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

Subway (Norton, acrylic on wood, 2002) - access in augmented reality

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Digital animation of the skeleton of the bird Rhea americana, based on kinematic study.