Donation of pieces from the Museum of Removals' collection to the National History Museum (© Luiz Claudio Silva / Museum of Removals collection).
untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
Demolition of houses at Vila Autódromo by the city government (© Luiz Claudio Silva / Museum of Removals collection).
© The Kremer Museum
The processes that culminated in the independence of the former European colonies affected disciplines that, directly or indirectly, legitimized colonial power. The New Museology movement provoked actions that brought the museum closer to the community, making it possible to include groups related to the safeguarded collections within the institutions.
Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.