Donation of pieces from the Museum of Removals' collection to the National History Museum (© Museum of Removals collection).
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
David Hall, TV Interruptions: The Installation, 1971. Original installation plans (© Estate of David Hall/University of Dundee).
The process of “virtual reparation.”
Macrophallic amulter recovered from the fire at the National Museum (© LAPID).
House demolition at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).
Meeting/workshop with residents and allies for the creation of the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).
Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?
