In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
David Hall, TV Interruptions: The Installation, 1971. Original installation plans (© Estate of David Hall/University of Dundee).
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
Demonstration against evictions and demolitions at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).
Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality
