Museum without Walls

The process of “virtual reparation.”

Demonstration against evictions and demolitions at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).

O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

Digitization of the fossilized skeleton of Mariliasuchus amarali with the Artec MHT.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Assembling displays for the Introduction to the Third World installation at CCBB-RJ, 2011.

Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality

Photogrammetry mapping of Roman amphorae in the Mediterranean Culture room. Photos were obtained using a drone because the floor of the room was covered by pieces of collection items, making it impossible to reach these items.

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.

Phi Books presentation at the University of Copenhagen.