Museum without Walls

DiMoDA 2.0 - RISD Museum, 2017. Works on display by Miyö Van Stenis (War Room), Rosa Menkman (DCT Syphoning The 64th Interval) and Theo Triantafyllidis (Self Portrait (Interior)) (© RISD Museum).

Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.

Subway (Norton, acrylic on wood, 2002) - access in augmented reality

Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.

Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality