Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality
Third World flag.
Torre (Heide Liebermann, 1981) - access in augmented reality
Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.
Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality
David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
David Hall, TV Interruptions: The Installation, 1971. Comparison of real installation (Installed at Museum of Modern Art - MUMOK, Vienna, 2010) and VR simulation. Model by Sang Hun Yu (© University of Dundee/Estate of David Hall).
Phi Books (© Antonopoulou & Dare).
DiMoDA 1.0 - opening at Transfer gallery, 2015.
© The Kremer Museum
Aerial view of Vila Autódromo before demolitions (© Luiz Claudio Silva / Museum of Removals collection).