© The Kremer Museum
David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
Polivisão XLIV X4 (Maurício Salgueiro, mixed media, undated) - access in augmented reality
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality
Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality
David Hall, TV Interruptions: The Installation, 1971. Video documentation of VR experience presented at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
Assembling displays for the Introduction to the Third World installation at CCBB-RJ, 2011.
What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.