In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
Assembling displays for the Introduction to the Third World installation at CCBB-RJ, 2011.
Digital animation of the skeleton of the bird Rhea americana, based on kinematic study.
untitled (Gilbert Chaudanne, acrylic on eucatex, 1997) - access in augmented reality
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
DiMoDA 3.0 - 3LD, New York, June 2018. Work on display by Shane Mecklenburger.
Digitization of the fossilized skeleton of Mariliasuchus amarali with the Artec MHT.
David Hall, A Situation Envisaged: The Rite II, 1989-90. VR simulation presented at NEoN Festival, Dundee, Scotland, 2017. VR model by Rhoda Ellis, curated by Adam Lockhart (© Estate of David Hall/Rhoda Ellis/University of Dundee).
Map of the exhibition route across the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).
