Museum without Walls

Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality

Since the community was being used as a construction site for the Olympic Park - one of the strategies used to pressure residents and compel families to accept the proposal of the City of Rio de Janeiro -, the sculpture “Suporte dos Males” and part of the sculpture “Espaço Ocupa e Casa da Dona Conceição” were destroyed by tractors.

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

The process of “virtual reparation.”

Weekly meeting of the contidonãocontido project, with the curators-educators.

Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality

Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.