Map of the exhibition route across the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).
© The Kremer Museum
DiMoDA 1.0 poster for Superchief gallery, 2016.
In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.
DiMoDA 3.0, 2018. SIGGRAPH Asia partnership.
David Hall, TV Interruptions: The Installation, 1971. Comparison of real installation (Installed at Museum of Modern Art - MUMOK, Vienna, 2010) and VR simulation. Model by Sang Hun Yu (© University of Dundee/Estate of David Hall).
Snapshot of the reconstruction of the National Museum (© Patrimônio Virtual / Prodec Engenharia).
Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".
