Museum without Walls

Third World flag.

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.

House demolition at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Museum of Removals collection).

Digital animation of the skeleton of the bird Rhea americana, based on kinematic study.

What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?

JOÃO ME-PRO-METEO, Um-PEXi (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality