Museum without Walls

DiMoDA 1.0 - opening at Transfer gallery, 2015.

Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

"Universe" plate - Introdução ao Terceiro Mundo, 2011.

untitled (Levino Fanzeres, oil on agglomerate, undated) - access in augmented reality

David Hall, TV Interruptions: The Installation, 1971. Schematic showing 3D construction of Hantarex monitor in Maya software by Sang Hun Yu (© University of Dundee/Estate of David Hall).

Third World encyclopedia.

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Subway (Norton, acrylic on wood, 2002) - access in augmented reality

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.