Phi Books presentation at the University of Copenhagen.
In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
Vila Autódromo community association before being demolished (© Luiz Claudio Silva / Museum of Removals collection).
David Hall, TV Interruptions: The Installation, 1971. Video documentation of VR experience presented at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
"Oracles" plate - Introdução ao Terceiro Mundo, 2011.
Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?
Phi Books VR (© Antonopoulou & Dare).
David Hall, A Situation Envisaged: The Rite II (Cultural Eclipse), 1988-90. VR experience presented at the NEoN Festival, Dundee, 2017. Development by Rhoda Ellis, curating by Adam Lockhart (© Adam Lockhart).
Map of the Third World's south-southeast island, 2011.
