Phi Books (© Antonopoulou & Dare).
DiMoDA 1.0 - opening at Transfer gallery, 2015.
© The Kremer Museum
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
DiMoDA 3.0 - 3LD, New York, June 2018. Work on display by Shane Mecklenburger.
Digitization of the fossilized skeleton of Mariliasuchus amarali with the Artec MHT.
DiMoDA 2.0 - RISD Museum, 2017. Works on display by Miyö Van Stenis (War Room), Rosa Menkman (DCT Syphoning The 64th Interval) and Theo Triantafyllidis (Self Portrait (Interior)) (© RISD Museum).
