Museum without Walls

Phi Books (© Antonopoulou & Dare).

Riverine Archive, VR screen capture (© Antonopoulou & Dare).

DiMoDA 1.0 - opening at Transfer gallery, 2015.

David Hall, A Situation Envisaged: The Rite II, 1989-90. VR simulation presented at NEoN Festival, Dundee, Scotland, 2017. VR model by Rhoda Ellis, curated by Adam Lockhart (© Estate of David Hall/Rhoda Ellis/University of Dundee).

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Luiz Claudio Silva / Museum of Removals collection).

Some other Espírito Santo Art Museum.

Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.

Torre (Heide Liebermann, 1981) - access in augmented reality

David Hall, TV Interruptions: The Installation, 1971. Video documentation of VR experience presented at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).