Museum without Walls

DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).

Map of the exhibition route across the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).

David Hall, A Situation Envisaged: The Rite II, 1989-90. VR simulation presented at NEoN Festival, Dundee, Scotland, 2017. VR model by Rhoda Ellis, curated by Adam Lockhart (© Estate of David Hall/Rhoda Ellis/University of Dundee).

Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality

"HISTORIC PROCESS"+ "ORIGIN MYTHS" + "THE FUTURE"

Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.