Torre (Heide Liebermann, 1981) - access in augmented reality
What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?
David Hall, TV Interruptions: The Installation, 1971. Screenshot from Unity showing sound design. Programming Sang Hun Yu (© University of Dundee).
Envensão nova urso con cachorro (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
Digitization with the RV Scanner for a PhD thesis at LAPID.
Some other Espírito Santo Art Museum.
© The Kremer Museum
"HISTORIC PROCESS"+ "ORIGIN MYTHS" + "THE FUTURE"
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality