Museum without Walls

"Universe" plate - Introdução ao Terceiro Mundo, 2011.

untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality

Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.

Houseplans, Phi Books (© Antonopoulou & Dare).

Subway (Norton, acrylic on wood, 2002) - access in augmented reality

Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality

Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.