Museum without Walls

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.

"Universe" plate - Introdução ao Terceiro Mundo, 2011.

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality

untitled (Gilbert Chaudanne, acrylic on eucatex, 1997) - access in augmented reality

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Museum of Removals collection).

The processes that culminated in the independence of the former European colonies affected disciplines that, directly or indirectly, legitimized colonial power. The New Museology movement provoked actions that brought the museum closer to the community, making it possible to include groups related to the safeguarded collections within the institutions.

DiMoDA 2.0 - RISD Museum, 2017. Works on display by Miyö Van Stenis (War Room), Rosa Menkman (DCT Syphoning The 64th Interval) and Theo Triantafyllidis (Self Portrait (Interior)) (© RISD Museum).