Museum without Walls

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.

David Hall, TV Interruptions: The Installation, 1971. Video documentation of VR experience presented at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).

untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality

Phi Books (© Antonopoulou & Dare).

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?

Demonstration against evictions and demolitions at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Polivisão XLIV X4 (Maurício Salgueiro, mixed media, undated) - access in augmented reality