Museum without Walls

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DiMoDA 3.0, 2018. SIGGRAPH Asia partnership.

O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.

Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality